Above the Stag
Londres - Angleterre

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Topologie du théâtre

Nombre de salles actives: 1
Salle 1: ()    - Actif

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Evolution

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- Actif

Musical
Original

2) Cleveland Street: The Musical (Original)

Joué durant  1 mois

Première preview: 28 April 2011
Première: 28 April 2011
Dernière: 29 May 2011

Compositeur: Matt Devereaux •  
Parolier: Glenn Chandler •  
Libettiste: Glenn Chandler •  
Metteur en scène: Tim McArthur •  
Chorégraphe: Tim McArthur •  
Avec: Cast: Paul Brangan (John Saul), Josh Boyd-Rochford (Hammond/Abberline), Fanni Compton (Caroline), Adam Elliott (Ernest Thickbroom), Ashley Martin (Henry Newlove), Michael Anderson (Thomas Swinscow), Joe Sheffer (Lord Euston/Lord Somerset) 


Commentaire: Based on a true scandal, the story is narrated by John Saul and told in flashback. The songs are presented in a music-hall and vaudeville style and accompanied by an onstage three-piece band. With a cast of just seven doubling several roles, this led to some confusion as to who was supposed to be who at various points. The show itself was also criticised for not having a clear purpose: was it a camp entertainment, or a satire on Victorian hypocrisy ? It was felt to be unsatisfactory on both counts.  (plus) 


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Musical
Revival

1) Silence! (Revival)

Joué durant  1 mois 1 semaine

Première preview: 21 January 2010
Première: 21 January 2010
Dernière: 28 February 2010

Compositeur: Al Kaplan • Jon Kaplan •  
Parolier: Al Kaplan • Jon Kaplan •  
Libettiste: Hunter Bell •  
Metteur en scène: Christopher Gattelli •  
Chorégraphe:  
Avec: Miles Western (Hannibal Lecter), Tory Ross (Clarice), Fabian Hartwell (Buffalo Bill), Leon Kay (Chilton), Catherine Millsom (Catherine & Senator Martin). Shakella Dedi (Ardelia), Colin Duncan (Crawford), Phil Price (Everyman), Phillipa Holliday (Dream Clarice) 


Commentaire: The first British production was a two week run at the Barons Court Theatre, directed by David Phipps-Davis in October 2009. This production was re-worked by Christopher Gatelli, incorporating new material especially written for London, and presented Above the Stag in January 2010. The critical reaction was not very enthusiastic.  (plus) 


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